Archive for the ‘Authors’ Category

Oooh, A Sheikh — And a Request to You All

Saturday, February 5th, 2011

Harlequin author Olivia Gates is Egyptian. I met her at RWA a few years back and she is the nicest person you’d ever want to meet. She had on a stunning gown, too, and I’ll tell you that she looked like a romance novel heroine. I have this vague recollection that she did not want her day job to be a matter of public knowledge, but she’s a brilliant woman with a job to match. It’s also a job (not a political one) that makes me worry about her safety during the unrest in Egypt.

As you can imagine, even if the Mubarak regime had not essentially cut off Egypt’s access to the internet, this is not the time for an Egyptian author to be promoting a book. All of Egypt has bigger issues to deal with right now. Gates has a book out right now, and I bought it a couple of days ago to support a fellow Romance author. I urge you to do the same. her website has various buy links.

To Tame a Sheikh

Some of you may know that I have only recently gotten my feet wet with category romance– thanks mostly to Harlequin’s free digital offerings. I’ve since bought a few but have found the experience a bit rocky at times. As with any genre there are writers who work for me and those who don’t. I confess I wasn’t at all sure about a Sheikh book.

But ohmygosh, I LOVED this book. Loved it loved it loved it and I’m going to get the rest of Gate’s books. At first, the hero is what you might call an Alpha-hole — everything bad about the alpha male but Gates subverts that in a way that utterly won me over. The writing is excellent and smart:

This was what the Prince of Darkness should look like. To seduce without trying, the enslave into eternity, to induce all sorts of unrepentant sins. To have a woman believe her soul was a trivial accessory.

Now that’s some serious charm.

Yes, he’s a total Alpha, but the hero of this book completely gets that his heroine is a smart woman. He defers to her area of expertise (she’s a physician) and he has no intention of limiting her professionally or in any way, other than his intention of securing her love. He’s perfect to the point of bordering on magical, but I ended up loving that. By the middle of the book, I was saying, oh, girl, just sleep with him now, because you know you’re going to and he’ll blow your mind.

So, go get this book. Support an author who isn’t in a position to do the promotion that more and more falls on the author rather than the publisher. And let me know what you think of it. Were you, too, won over by the Sheikh?

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Go Over There –>!

Tuesday, December 28th, 2010

I’m giving away some books over at the Girlfriend’s Book Club. Find out what I have against Brussel’s sprouts, my favorite color and more in an insightful self-interview. Also, three silly questions for you. Go.

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1001 pages: Brandon Sanderson’s The Way of Kings

Friday, December 10th, 2010

Behemoth Book Review

Today, I finished Brandon Sanderson’s 1001 page book The Way of Kings. OMFG. 1001 pages. You think The Rent’s Too Damn High is the new political meme? Well, in literary circles, the new meme is The Book is Too Damn Big.

Seriously.

On left there, is My Immortal Assassin by Yours Truly, which looks pretty puny there. In the middle is The Rise of Magic in Medieval Europe, a hardcover book which checks in at 402 pages. On the other left (right) there is The Way of Kings. 1001 pages. On the inside, there’s no header with the book title or author’s name on every page, which is usually the case. Because if there were this book would have been even bigger. You won’t be surprised to hear I read this book pretty much exclusively at home. But it was not comfortable to read in bed and it was downright unwieldy on the treadmill. In fact, this book was a PITA to read anywhere. It’s a damn good thing it’s a great story. I really wish I’d bought the book in a digital format because then my hands wouldn’t have been going numb or my back and neck getting all kinked up trying to get comfortable reading it.

But Wow!

I almost forgive Sanderson for the ending of the Mistborn Trilogy. Almost.

At first, I thought, holy hernia, this book is really only good. I kept reading because it was a good read, well-written and I’m all about that with my reading. Pretty soon it was damn good and then there were mostly parts that were fantastic and three days later I was done. And I want more. More More More! There were a couple of places where it got a wee bit preachy, but only a couple and it was still interesting and fascinating. The sad part is, I’m pretty sure I’ll end up buying the next one in hardcover unless, please god! they release the digital version at the same time. But maybe book 2 won’t be as freaking big.

Some Thoughts

I loved the world and the main characters. Sanderson builds a detailed, rich world and populates it with real people. I loved the world beyond all reason and I’m sorry I won’t be going back tonight. The magic was in some ways traditional, but this volume only sets the scene, so I expect more developments. Kaladin was by far my favorite character. By a HUGE margin. His story was epic and the stakes were enormous for him and, well, I’m just a total sucker for the common hero who develops/transforms into something amazing. I know it’s cliche, but that’s part of the point of epic fantasy and I LOVE it. Love it. In Kaladin, Sanderson delivers in a major way. My second favorite character ended up being the warrior highprince Dalinar, though for a long time he was third favorite. Shellan was my second favorite for a bit, then she dropped to 3rd on account of a major issue I will discuss in a bit.

One of my favorite parts was the way Sadeas (a cohort of Dalinar’s) was portrayed as noble and worthy when we were in the point of view of Dalinar and others from the same country but in Kaladin’s POV, Sadeas’s actions and decisions do him no credit and must naturally call into question the nobility shown and presumed in other chapters. Sanderson never makes any authorial reconciliation of that, which in my opinion, was a brilliant decision. Show don’t tell.

I felt there was a major lapse in the subplot with Shellan because she never considers an action I thought was completely obvious. I’ll have to give a mild spoiler here. Shellan convinces Jasnah (a woman) to take her on as a student (am understating here) with the ulterior motive of replacing a broken magical item with Jasnah’s functioning one and without Jasnah’s knowledge. Ulterior motive stories (AKA “the Lie”) rarely work for me. I always end up wondering why the person doesn’t just come clean before they really make a mess of things. Here, Shellan has a broken gizmo. Her boss, a genius, has a working one. Why doesn’t Shellan ever show Jasnah the broken one and ask if she knows how it can be fixed? If the answer turns out to be, sorry, can’t be done, then maybe she could have made the switcheroo. That really bugged me.

Something else That Bugged me

Another thing that bugged me was the way women took such a huge backseat in this story. A chasm. Jasnah is an awesome amazing, brilliant woman and if there were any chapters from her POV, I can’t recall them. Shellan was the only female major character. And she’s young and innocent, interesting, but basically undeveloped, with an ulterior motive that was a flaw for me. That’s it. 1001 pages and all but two women played the traditional fading into the background role of women in High Fantasy.

In this world, only the women read and write. The men, by and large, don’t. If a man needs to know the contents of a book, he needs a woman to read it to him. Women are also, it seems, the engineers and inventors. Huh. And yet women play essentially no political or economic role in this world. Everything is still run by men. How is that? All the information and technological/magical advancement is in the control of women and they aren’t running the show? Really? I mean, really?

I understand that this is to be a 10 book series. I could see that Sanderson appeared to be at least laying some groundwork for some major gender-role upsets and I certainly expect Jasnah to eventually be a major character, but this first volume made me sigh in sadness to see women play no major role in the political stakes of this story.

Sex?

Nope. None. There’s this wonderful, complex world that’s full of dirt, death, murder, crime, adventure, magic, unfairness, war, nobility, honor, intrigue, thrills and chills and one of the most powerful reactions known to humans — sexual desire has this itty bitty little part. All these noble warriors walking about and if any of them have lovers, it’s not on the pages. Sexual passion is almost entirely absent as a part of the emotions and reactions that drive a character. Why? The cynic in me says it’s because that sort of thing is too sissy for a boy book. There’s one kiss in 1001 pages.

Noble warriors apparently can’t have sex or sexual desire. At least the bad guys weren’t perverts (just to prove they’re bad.) The one character who is in anything like a potentially romantic relationship is Shellan and that has a completely expected result, in my opinion. I don’t count Dalinor’s “relationship” because it comes in very late and play a minor part in the development of his character and the plot. The relationship could have been written out of the story with NO impact. The same, however, is not true of Shellan and her relationship. Write that out, and a major portion of her plot goes away. Shellan, however, has no sexual feelings toward the man. She is being manipulated and used through this relationship and well, I found that one of those pernicious cliches that abounds in fiction for men.

Retrench

I feel like I need to retrench a bit because it’s sounding like I didn’t like the book or that there are major flaws. But I LOVED this book and the things I’ve pointed out about the roles women play are not the kind of ham handed BS that pervades material in the hands of lesser writers. It’s just that the gaze of the book is very very male and after the wonderful way women were major players in the Mistborn trilogy, I was not so secretly hoping for something more from the women in this book. I have every hope that this will happen in subsequent volumes, which I fully intend to read.

Other Observations

This book had art. Yay! Interesting art that mattered and enhanced the story. And it was more than maps! I loved that. Inside front and back Sanderson got COLOR art. Now, I love maps. I do, but it was fun to have other art. Yay for art! I wish there had been more.

In Conclusion

If you like High Fantasy, this is great stuff. Go read it. As a digital book, unless you’re weight training.

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Weekend Report

Sunday, December 5th, 2010

The Whining is over

I think I can finally say that I’m over my cold, though I did take meds today, but at last I feel, why, almost normal. I am a wimp about being sick. Abu the kitty is settled in and a very happy, charming cat. He’s disconcerted with me for putting Advantage on him (flea killing crap) and has kept a low profile, though at the moment he’s chewing on the buttons of my sweater.

I’ve been working on The Next Historical, which I am thinking of titling Infamous. We’ll see if that sticks. Now that I’ve figured out my hero, I’ve still got to redo the initial chapters to reflect that and it’s giving me fits, but then the early stages always do. Anyway, should be an awesome story. I deleted all my chapters with the hero since they were based on my (airquotes)synopsis(airquotes) and that never happens. On the other hand, I had to write them  in order to find out who he was.

Recent Reading

I made the mistake of starting Brent Weeks’s The Black Prism on Friday which I can report to you was quite good. It’s a 620 page behemoth that made me wish I’d bought it as an eBook because there was really no way to get comfy in bed with this book. I finished it about 2:00 AM Saturday. It’s a great follow up to his Assassin series. The one thing that bugged me was that the direct thoughts of the POV characters were not italicized and 1) there were a lot of these direct thoughts and 2) it made it easy to miss the transition to narrative or another POV. It tripped me up a lot. Really a lot. I wish his editor had spoken to him sternly about how confusing that was.

The female roles and characters were far more traditional than in his previous series. The main female character was very strong and not girly, but the world was more traditionally male oriented, too. I’m not convinced she was a sufficient counterbalance for all the other familiar female roles. I think it might be because the young mage role was so familiar — young hero of secret royal/magical parentage, not thought to be magical but, of course, he is, and wildly so. That role was inhabited by a fat character, which was interesting, and I really, really enjoyed the way he interacted with women — well done and not cliched at all. This is primarily because traditional roles or not, Weeks fully realizes his female characters, and this always makes for interesting goings on when the characters are interacting. The main male character has a nice twist that was easy enough to anticipate, but there’s a really nice switch up going on there that should play out in interesting ways.

Hardback vs. Paperback

The fact that the Weeks book was HUGE made me wonder about buying the 2nd one in hardback. I probably will because the series is good and I’m looking forward to the next installment. But jeez. I also recently read another hardback (a romance) that was just meh that had been in my TBR for months, and I have to say I’m not buying this author in hardback anymore. The last three have not been worth the money or the size inconvenience and though I enjoy the books, they’re just not meaty enough anymore. The depths of the earlier books just isn’t there. If I’m going to lug around a hardback and shell out extra money, the story had better be darn good. Yes to Weeks, No to the other.

Giving up?

That thought made me think about when I stop reading an author or series. There are a couple I’m on the fence about and some I’m rabid about. My recent meh experience makes me wonder if I’ll even bother reading the series anymore. I’ve always liked this author’s stories more her writing — in that the emotional intensity of the relationships made up for the weak craft. Now I’m not feeling the emotional intensity anymore and the weak writing just doesn’t carry the story. We’ll see. On the other hand, if Berkley brought out MelJean Brook in hardback, I’d buy without a blink and I buy Lee Child in hardback. When do you give up on an author or series and why?

My SQUEEE moment

John Scalzi posted a picture of his ARC of Patrick Rothfuss’s sequel to Name of the Wind. I kind of couldn’t breathe when I saw it. OMG!!!!!!!!!

And now I have to get some sleep which I didn’t last night thanks to Brent Weeks and his Black Prism.

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Thoughts on Piracy

Tuesday, October 26th, 2010

In re Senate Bill 3804, The Combating Online Infringement and Counterfeits Act. Here is a link to the text of the bill.

Carolyn Is NOT a Lawyer

Ducks in A Row First

This bill purports to provide a remedy against internet domain names whose main apparent purpose is to host or disseminate copyrighted goods without the permission of the copyright owner.

Prosecution, enforcement and identification of these sites falls to the Attorney General. The public is in no way involved by the terms of this bill. Presumably, there would be some way for individuals to make a complaint about such a site, but that doesn’t appear in the language of the bill.

Upon receipt of such order, the domain name registrar or domain name registry shall suspend operation of, and lock, the domain name.

So, not copyright protection but a remedy against alleged infringement.

Also, please don’t mistake a domain registration for a website or a webhost. They are not the same animal. A domain registration is required in order to get a website (pages) on the internet for people to look at. A domain registrar may also host web content, but there are solid reasons why you should NOT host your website through the same company that provides your domain registration. (That’s a whole other post.)

Problems I see

Nowhere in the bill that I can see is due process given to the owner of the domain. The Attorney General can put a domain name on their list (which the bill requires them to maintain) and that’s it. There’s no provision for giving the accused domain owner the chance to argue there was a mistake. The domain registrar gets notified and is required to see that the domain no longer resolves.

I can see why people say this is censorship. What else do you call it when the government has the ability to take down your website with no notice and you have no opportunity to present a defense?

But the first thing that jumped out at me is the assumption that domain names are static creatures, as if taking down a domain solves the problem. (Dusting off hands) Spammers and malware writers have bots that go out and register domains on the fly, thousands and thousands of them. I promise you there will be sites that come down only to IMMEDIATELY (if not already) pop up at another domain. I laughed a little at the naivte.

What happens to the allegedly infringing material? Well, any geek (such as myself) will tell you that the files will remain on the server. The bill only prevents the domain name from resolving. This is good, because if the AG gets it wrong and the domain owner gets the opportunity to present their rebuttal, the site could be back up fairly quickly.

The downside, however, is that the files are still there. I would expect any reasonably competent pirate sort will get to the files whether the domain resolves or not. All you need is server access (legitimate or not). And if you own the server, well. There you have it. Right now this minute you could turn your desktop computer into a webserver serving up http content. With a few bucks, you buy a real server and do the same thing.

Anyway, a site that is maliciously hosting pirated material will simply mirror their server and be up and running at a new site within seconds. Heck, probably concurrently. Haven’t you ever noticed how similar the content is at these different sites? This is why. It IS the exact same content.

Again. Naivte.

I’m not saying don’t even try to do something, I’m saying most people who aren’t tech geeks, just don’t understand what they’re talking about, and if you don’t understand what you’re talking about how on earth can you write legislation that will actually achieve the desired goal. (Which is….?)

The bill is naive.

Effective? Maybe

Suppose this goes into effect and suppose that the due process issues are addressed — because remember in the USA we’re not supposed to presume guilt without giving the accused a chance to argue his or her case in the courts — this might be marginally effective. But probably not to the extent some people hope. The internet doesn’t work that way.

(And God knows, the law never makes a mistake, and there are never malicious or mistaken accusations . . . We all know that huge media companies NEVER make bogus claims of copyright infringement and force the takedown of YouTube videos that aren’t actually their content. This WILL be abused. I guarantee it. Companies WILL attempt to silence opinion they don’t like or damage competitors.)

Personally, I get a bit peeved when I see my books pirated and the host site is either selling the books (which is stealing) or serving up ads (which is profiting from goods they have stolen from my publisher if the book has not reverted to me.) So really, it’s not like I don’t see the issues. I do.

Let’s make a fine distinction that’s Being Lost

Traditionally, in the 20th-21st century, pirates did not operate for profit. They were ripping CDs or scanning books or what have you and providing them FOR FREE via Bit Torrent or some other Peer-to-Peer file sharing system.

But now we’re seeing that same content showing up on sites where the site operator is selling the content. This person illegally obtains the file and SELLS them to others and then keeps the money. None goes to the rights holder — which by the way is usually the publisher who has licensed the rights from the copyright owner. And no money goes to the author either.

I see these as two mostly different situations. The reseller of illegal files is, in much more likely to be taking away a paying customer from the person with the legal right to sell the content.

But wait! What if the illegal sale is DRM free and free of geo-restrictions? Might a reader decide to purchase the illegal copy because the legal one is so fundamentally broken from the reader’s point of view? Might a reader decide to purchase the illegal copy because the legal copy is on a website that is heinously hard to use (looking at you Sony store and eHarlequin.) That’s why Amazon is kicking your ass, by the way, even with the DRM.

I’d say the reader might be silly to pay for the illegal copy when they can get it for free, but that’s assuming they recognize that the illegal seller is, in fact, a crook.

Should Authors be Up In Arms about Piracy?

No. I don’t think so. Not yet.

Because the ONLY rigorous study done on this issue demonstrated that piracy increased sales of print books for all but the top selling authors.

If you are an author, there are better ways to spend your time than chasing down pirates. Maybe later there will be even better and even bigger studies that give us more insight and point us to actions that make sense. But right now, authors, if your books are pirated, maybe you should be glad.

What About Publishers?

My backlist is suddenly of value to me. There’s no sane reason for me to allow such titles to sit with a publisher who is doing NOTHING with them when I can now get my rights back and either sell my backlist myself or get it out there for free to seed my front list sales. Or maybe even both those things.

Publishers have done a very very poor job of identifying which small backlist titles are worth doing something with. By small I mean, not To Kill A Mockingbird but, say, out of print Romance titles that show up on Best Of lists or are constantly mentioned in reader discussions. Until recently, authors had no recourse even though they knew they had out of print titles readers are desperate to read. (Case in Point: Lord Ruin. Published 2002, OOP shortly there after, yet every month since the release of that book, I get emails from readers on that book and the lack of sequels to it. Every single month for going on 9 years. And those are just the people who trouble to email me.) It’s the long-tail and right now, authors can monetize/publicize it for themselves because Publishers are not even though they have the rights.

What About Readers?

In my opinion, right now readers are getting the short end of the stick. Publishers don’t have a handle on the impact of piracy and have no idea what to do to combat it. Or maybe they do. Maybe the reason they seem so ineffective at combating piracy is that they’ve secretly compiled the data and concluded that it’s not killing book sales. But I doubt that. They’re busy stressing over prints sales vs digital sales and cutting off their noses to spite their faces (I’m looking at you, Agency Model) and forgetting that they have a whole new avenue of sales in which people actually buy MORE of their product. Alas, the evidence suggests that publishers don’t yet get it.

My suggestion is that publishers make it so easy and painless to read books in any format and on any device that readers don’t need to go find an illegal copy. Publishers should never leave a reader muttering about how they can’t even read content they legally bought just because their old Kindle died and now they have Device X which is sexier. You’re failing if it’s trivial to find readers talking about how to crack your DRM so they can read and categorize their eBooks the way they want. And guess what? It is trivial.

Publishers, please, please please learn what metadata is and why you need to care. Listen to what READERS want.

Authors, stop spending your time going after pirates. Wait until there’s proof you’re being damaged. Right now, the existing proof is that you are not being damaged.

Readers, keep the faith. This will get figured out.

Last thoughts

This is a one-draft post. I’m sure I’ve missed things or possibly not been as clear as I should be. I’ll clarify if I can.

Comment away if you like.

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Checking in From San Francisco

Saturday, October 16th, 2010

I am at Bouchercon but am spending most of my time in my hotel room revising. The big news is that I have attended my first Creature Party for Lee Child’s Jack Reacher series. Wowza. Apparently about a month ago, publicists call the Oakland and San Francisco police departments looking for any men 6’3 or taller and 240 and muscular and told them to come on over . . . There were three such gentlemen at this event, one of whom was an Oakland Homicide cop and another who was a Lieutenant for the SF PD. I didn’t get to talk to the 3rd so can’t say. Anyway, we were to vote for the most Reacher like gentleman and I voted for “Red Reacher” (his shirt said “where’s Jack” in red) because, well, he looked like Ranger. I told him I’d voted for him for this reason and several of us had a lovely discussion with these two Jacks about the merits of Reacher vs. Ranger and we concluded that actually it would be not bad at all to be Ranger. He was quite pleased and said he would find a couple of the Stephanie Plum books and check out the fuss. Heh.

Today I attended the interview with Lee Child and then got the two Reacher books I brought with me signed by him for my father. Squeeeeee!!!! I managed, somehow, to remain almost dignified. But now I’m back in my room revising.

Check out the previous post and go leave a comment so I can send someone a free Jet Li movie…

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The Iron Duke

Saturday, October 2nd, 2010

Today, I read Meljean Brook’s The Iron Duke.

It’s one of the best books I’ve read this year. Actually, I haven’t read a book this good in a really long time. The very best authors sweep you away into the story. It’s a rare talent. There are a lot of good authors out there but only a few great ones. I can’t think of any reason Meljean Brook shouldn’t be called one of the great ones.

If you don’t have your hands on this book yet, go make it happen.

Meljean’s website has a page with buy links at the bottom.

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Let’s Run Some Numbers Here . . . Cuz I think I’m PO’d

Tuesday, September 28th, 2010

I read this article from the Wall Street Journal about Authors Feel Pinch in Age of eBooks. A few things jumped out at me.

  1. A debut literary fiction author could not find a home for her book except at an independent publisher offering an advance of $3,500. Supposedly the book is really really good.
  2. This advance is called “a small pittance” of the usual advance to which I said, wha? True, that’s a small advance if it were at one of the majors, but a pittance? Really? A small fraction? Really? Not for the average commercial author, let me tell you, says this commercial author with a day job.
  3. There’s some blah blah blah which I will counter with, honey, publishers are buying fewer books across the board and paying less across the board and lowering print runs for everyone, too. Everyone.
  4. more blah blah blah — writers need day jobs these days blah blah blah. me: And when has this not been true?
  5. blah blah blah In the past publishers paid $50-100,000 advances to authors of literary fiction. Me: Holy shit! I am writing the wrong books!
  6. Some bad math, missing facts about eBook costs and how authors are being paid ripped off by the current print publisher royalty model for eBooks.
  7. “. . . debut fiction writers and those with less commercial potential, who might have print runs of 10,000 copies or less.” Me: Now wait a cotton pickin’ mintute!!!!

At which point Carolyn’s head explodes and she comes here to rant about the sheer idiocy of giving an author at $50-100,000 advance and a print run of 10,000.
sputtering noises, flailing of arms

Excuse me? You’ve been paying these people HUGE money for books that don’t come anywhere near selling out their print run? Giving them a print run that, in fact, has no hope of making back that advance? Everyone tells us crass commercial fiction authors that this is a business and we just can’t be paid more than the minimum advance (which is missing a zero from the above numbers) because publishing is a business and the P&L statement just doesn’t justify more. We make money for the publishers but it’s OK for us to be working day jobs. Gee, too bad. Maybe you’ll break out. And, no there’s no marketing for you because we’re spending the profit we make off you on the literary fiction authors.

I’m expecting to get a big fat enormous and heartfelt THANK YOU from the literary fiction authors because I’m working two jobs to support your genius. Even though, if you look back, a whole hell of a lot of the geniuses of the past wrote commercial fiction.

I wonder how long I’ll wait.

Hand to ear . . . . . . . What’s that?

Right. I suck. I forgot.

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An interview, some explanations and a contest

Friday, September 17th, 2010

Today, I have author Zoe Archer here and I am grilling talking to her about WARRIOR, the first in her four book Blades of The Rose series. As it happens, I have read the first three in the series and at this point would kill to get my hands on the fourth.

Catullus Graves, a recurring character is the first three and the hero of book four goes on my list of Romance Heroes I Would Marry.


This is just an AMAZING series. It’s fun and swashbuckling and if you haven’t bought these books yet, you should. Go do that, then come back. Buy page for Warrior

Here is a paragraph stolen from the middle of Zoe’s complete bio: Although she was born in New York and lived there until she was six months old, Zoe had no recollection of living anywhere but in California. So everyone was surprised, including her, when she moved to Iowa City to attend the University of Iowa Writers’ Workshop. Much long underwear was worn. Two years and several snowstorms later, she was the proud owner of a shiny new MFA from the Writers’ Workshop. As soon as the degree was in her hot little hand, she promptly moved back to Los Angeles, her home town.

Before I start the interview, you should know there is a contest involved. Further info at the bottom of the post.

About Warrior

Tell us about your book! It’s the first of a 4 book series so can you also tell us a little about the world it’s set in?

Cover of Warrior by Zoe Archer

Gabriel Huntley, Smoking Hot Hero


WARRIOR
is the first book in my four book BLADES OF THE ROSE paranormal historical adventure romance series. (There are a lot of modifiers there–but I’m kind of creating a new sub-genre, so modifiers are definitely necessary.) The Blades of the Rose are a secret organization of men and women that protect the world’s magic from ruthless exploitation. Each of the BLADES books features a new hero and heroine in an exotic location, with plenty of adventure, action, magic…and hot, hot sensuality. Here’s the back cover blurb for WARRIOR:

To most people, the realm of magic is the stuff of nursery rhymes and dusty libraries. But for the Blades of the Rose, it’s quite real, and in danger of being misused by a powerful enemy.

IN HOT PURSUIT
The vicious attack Capt. Gabriel Huntley witnesses in a dark alley sparks a chain of events that will take him to the ends of the Earth and beyond – where what is real and what is imagined become terribly confused. And frankly, Huntley couldn’t be more pleased. Intrigue, danger, and a beautiful woman in distress – just what he needs.

IN HOTTER WATER…
Raised thousands of miles from England, Thalia Burgess is no typical Victorian lady. A good thing, because a proper lady would have no hope of recovering the priceless magical artifact Thalia is after. Huntley’s assistance might come in handy, though she has to keep him in the dark. But this distractingly handsome soldier isn’t easy to deceive…

The Interview

Q: I loved loved loved the hero of Warrior, Gabriel. Is there some characteristic of his that is your favorite? I’d tell you mine, but I don’t want you to copy me. Also, can you surprise and delight us with something about him that didn’t make it into the book? Feel free to make something up.

My favorite thing about Gabriel (aside from his rock-hard abs) is his sense of humor. He may be a tough soldier, but he can be very funny–dry and self-deprecating. I love a man who can make me laugh. Hmm…something about him that didn’t make it into the book? He rescues spiders when they’re trapped inside.

CJ: I totally believe that about Gabriel saving spiders. FYI, I too, appreciated his rock hard abs, but also how he knows his way around an oasis.

Q: Same as above only for your heroine, Thalia.

I really like Thalia’s confidence. She knows she isn’t the model of delicate English femininity, and she’s fine with that. She is, in fact, happy with herself. And I think it’s that confidence that is one of the reasons why Gabriel is so attracted to her. A little known fact about her is that, in the winter, she boils treacle and then drizzles it on fresh snow. When the treacle cools, she chews on it. She has strong teeth.

CJ: You do NOT mess with Thalia. Ever.

Q: You hear that Carolyn Jewel is in town and shopping for a new outfit to wear to a televised gala affair where she is presenting you with a prestigious writing award. Last you heard she was muttering something about harem pants and strapless pants suits. You are locked in a room with nothing but a fork, a bar of your favorite chocolate and a cardboard box that says DO NOT OPEN!!! what would you do and why?

I’d eat the chocolate immediately. I would shake the box to determine its contents. If it groaned in pain, I would then open the box. If it kept silent, I might prod it with the fork. Then I would stand on the box to reach the air vent, crawl out the air vent, get outside and run to Carolyn Jewel’s hotel room with some lovely, dressy separates for her. I’m thinking maybe a tailored, feminine take on the tuxedo with a sparkly, cleavage-enhancing top underneath. If she balked at wearing the cleavage-enhancing top, I would remind her that there is a high degree of likelihood that Alexander Skarsgard will be watching the televised gala affair.

CJ: One cleavage enhancing top coming up. . .

Q: What were you like as a kid?

Let’s just say I was…awkward. I was skinny, short and had a panda painted in the corner of my pink-tinted glasses. I think that says it all.


CJ: Pandas rock.

Q: As you know, the other day, Warrior was out and about in Northern California and even visited the Apple Store in Santa Rosa CA. Please explain.

Everyone knows that warriors need to stay mobile and current with technology. Blades of the Rose, especially, need to use technology since a central tenet of the Blades is to not use any magic that isn’t theirs by gift or right. So, when it comes time to fight the bad guys like the Heirs of Albion, they need all the technological help they can get. Does Apple make an iRifle?

CJ: Actually, there’s an app for that: Here and here. And also here.

Q: Anything else you want to add?

There’s a new BLADES OF THE ROSE book out every month through December! This means that WARRIOR is available now, SCOUNDREL comes out October 5, REBEL is on shelves November 2, and STRANGER is available on December 7. A complete set of BLADES books makes an awesome Christmas, Hanukkah or Kwanzaa gift. Treat yourself, while you’re at it.

The Trailer

The Contest

Zoe is giving away a signed copy of Warrior. To get yourself in the running, answer the following question in the comments. You have until midnight Pacific Wednesday, September 22. Void where prohibited.

Kilts, in or out, and why?

Go.

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Update on Freedom

Sunday, September 5th, 2010

I am nearing half way through this book and the thought of reading more is giving me hives. I dislike this book. It’s boring. I don’t like the characters, I hate Patty Bergland, who I find completely unconvincing as a human being — she’s cardboard; constructed to fit the author’s needs. I don’t believe for a nanosecond that Franzen bothered to ask himself whether he understands anything about being a woman. Five minutes on Google would have sent him to dozens of sites where women speak cogently about what it’s like to be a woman in America. He doesn’t understand that rape is about more than the physical violence, it’s about the emotional damage. My God, I hate this book. I don’t understand how anyone can call this a work of genius. I really don’t.

I also hate Walter Bergland. And Richard Katz. They are effing boring me to DEATH. And please don’t mistake my use of the characters’ names for some kind of subtle suggestion that they are fully realized characters. They’re as cardboard as Patty. Oh god I just don’t care about this book and I don’t want to keep reading.

It isn’t brilliant. Not in any sense of the word. I’m still spitting mad. And now I’m also spitting mad that books that DO represent a woman’s life are “Chick Lit” and populist and not worthy of critical assessment. I’m starting to agree that Franzen is right ;Mikiko Kakutani must be the stupidest person in America to call this book brilliant.

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