Archive for the ‘RWA Nationals’ Category

Post RWA Blues and Yellows

Monday, July 30th, 2012

I’m back from the RWA (Romance Writer’s of America) conference in Anaheim. I drove down with author Isobel Carr. It was a six hour drive of tunes, good conversation and a window seat the whole way. Flying would probably have been a four hour trip, door to door, but I arrived at the hotel with none of the stress and upset of flying. This was eye opening for me. I walked into the hotel calm and relaxed instead of annoyed and irritated. Leaving the hotel was also less stressful, by the way. I feel sorry for airlines now. If they had any brains they’d be lobbying the government for security that works, not the baloney that’s in place.

Anyway, the conference days are all a blur now but a lot stands out. The Marriot employees were the nicest I’ve ever encountered. Wow. They were wonderful. I didn’t encounter a single employee who wasn’t genuinely nice, friendly and helpful. Other hotels should be sending spies there to see how it’s done. I want to go live there. On donut party day, the gentleman who helped bring up the donuts arranged to give us cups and a free gallon of milk, which indeed, was put in our room fridge. How nice was that? The Starbucks people learned my coffee order right away, and considering I was usually there in a line of 40 people, that’s something. My only complaint about the hotel was the internet. $15 a night to get internet in your room? Please. My phone and/or iPad did a good enough stand in, though I did miss some emails I wish I hadn’t.

The Literacy Signing – the Good and Not So Good

I was sitting with, among others, writers Lisa Hendrix and Hannah Martine and they were really fun and nice. Readers did manage to find me and I was intensely flattered by the wonderful things they said. I have a lovely card from one reader and several other gifts. Gifts! That is just so nice. Kris Alice of the German magazine Love Letters dropped off a copy of the magazine edition that has the article I did for them about the settings in My Wicked Enemy. It includes a picture I took from our kitchen window, which, admittedly, has a fairly stunning view.

My cookies did get some people to stop at our table, thank goodness. The seating arrangements, which were not alphabetic, seems to have had precisely the effect that most of us worried about. Readers were stressed about finding their favorite authors. Since our table was by the door, I could see them come in, highlighted seating charts in hand, looking very intense and walking head down and very quickly. They paid no attention to anyone but their immediate goal. I’d have done the same, to be honest. I’d want my favorite authors — who were for all practical purposes randomly scattered through tables numbered in a way only a programmer could love — and only then might I wander, looking for other authors I like, had heard of or even who just had interesting covers. But by then, the readers were tired and would have already have been through the room in random fashion. The thought of then doing a purposeful stroll through tables?

Most authors felt there were fewer people, though that might be a function of the large space, but certainly fewer stop-bys, and for the reasons noted. At this point, I hope they go back to the alphabetic seating.

Carolyn gets lost

After the signing, I was supposed to meet Cybil Solyn in the lobby to sign some books and then go to my Agency dinner. I could not find either, and I waited around for 45 minutes. I didn’t know anyone at the Agency well enough to recognize them (my agent was attending a family wedding) and I did not have any phone numbers. Sigh. The restaurant was a 30 minute walk and I was too poor to want to pony up for a cab so I decided I would try to meet Cindy Dees, Jennifer Ashley and Elizabeth Hoyt for dinner at a restaurant they cheerfully assured me was “right around the corner, just go left.”

BWAHAHAHAHAHA!

Anyone who has ever driven in a car with me knows that I should never, ever be in charge of getting someplace new. I do not know left from right. I do a lot of stuff left handed, and that includes writing, from time to time. I have to be lost someplace several times before I learn how to get there and back. Even when I pull up walking directions on my phone, I have to walk some direction to tell if I went the right way.

Long story short, I was lost for an hour. An HOUR! But I met a very nice woman who was also lost. She was looking for RWA registration, and I felt that I could probably get us back to the hotel. Which I did. Sort of. We ended up in the parking garage of the hotel across the street from the Marriot, and someone finally pointed us in the direction of that hotel lobby. Earlier in the day I’d had coffee there with my Berkley editor so once we were there I really did know how to get to the Marriot and registration. Mission Accomplished!

So then I gave up hope of ever finding any restaurant ever and went back to my room where I ate a protein bar and watched some dancing competition show with Liz Maverick and Megan Frampton.

Dining with Winners

I had great breakfasts, lunches and dinners with various writers and, I’m just saying, three of them ended up winning RITAs: Jo Bourne, Ann Aguirre and Thea Harrison. To next year’s RITA finalists, I am available for meals at Atlanta if you’d like to bump your RITA mojo. Send me an email.

Workshops

I did attend workshops this year. At one point, I ended up with Liz Maverick’s conference schedule booklet in which she had conveniently circled workshops she wanted to attend. So I went to those. And they were good ones, too. Thanks, Liz!!

A certain agent gave a workshop in which he showed a disturbing and perversely hilarious cognitive dissonance. I’m afraid I did tweet that he was a fucking idiot. Here’s the disconnect he showed:

Self-pulblishers don’t have editors, covers artists, copy-editors or marketing departments. That lack of a support team is the reason writers should traditionally publish.

. . . . 20-30 minutes later . . . .

[Traditionally published] Authors have less support than ever. The lack of editorial support is a real concern.

I should hope that most of you already know that his first statement is false. Self-publishers can and do obtain all those services, including editorial. To be really clear: the woman who does my covers also does covers for NY. My copy-editor copy-edits for her day job. One of the editors I use is a NY editor. Another has a PhD in Literature and edits NYT best-selling authors. It’s true that I pay out of pocket for those services, but I have control over what I ask for and what I get. When I say, for example, that I want a tough-love edit, I will get it — because I have engaged editors who I KNOW can do that for my work.

Marketing support? Really? Most of the authors I know feel that support is only given to best-selling authors. We all know that authors have been asked for years to do the marketing and that, other than co-op dollars, there’s not much marketing departments are doing for midlisters that we’re not already doing on our own.

He demonstrated a complete unawareness of the actual self-publishing landscape, particularly as it applies to both his workshop audience and to traditionally published mid-list authors. Total fail. And yet, he was remarkably and insightfully clued in about the challenges traditionally published authors face. I found it quite disturbing that he was unable to transfer that insight outside traditional publishing. That’s the kind of denial and willful ignorance that costs people their jobs or closes down businesses down the line. We’re seeing it play out before our eyes.

The workshops that covered legal issues are all ones that writers who aren’t buying the conference DVD should consider buying individually.

Other Stuff

I had 13 books left over after the lit signing. I bought them all and gave them all away at conference. At the Berkley signing, my books were gone in half an hour. Grand Central was awesome enough to provide copies of all four of the My Immortals books. If you got my my line (and there was one!) you got all four books. I didn’t think I’d run out of books, but I did.

At the post-RITA party, I dipped Courtney Milan.

Cover model Jimmy Thomas came to the donut party. About an hour later, another cover model (whose name I have now blanked on) also showed up. He stretched out on my bed. Fun times, good donuts and just fun conversation. Be there next year if you missed it.

Philosophie

At the Berkley cocktail party Liz Maverick fetched us Stephane Marsan of Bragelonne, a French publisher who is branching out from Sci-Fi and Fantasy translation into translating Romance. He was charming and funny. We talked about the state of French publishing, the translation business, eReaders, smart phones and other publishing matters. And then we talked about Paris, food and Michel Foucault and I say any conference where you get to talk about Foucault is a major win. We are now planning a Paris writing retreat. Who’s in?

Conclusions

My impression, which I have heard others express as well, is that this conference was less stressed out. Most authors are now well aware that we have choices we didn’t have before. I met several authors who have already walked away from contracts that only offered more of the same and they were completely at peace with the decision. And that, people, is transformative.

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RWA: Day T-1the fun has started.

Tuesday, July 24th, 2012

My road trip to RWA12 with fellow author Isabelle Carr was uneventful. We left Nor Cal about 6:30am and arrived in Anaheim at 12:30pm. No traffic problems, though taking 99 is probably the reason for that.

We immediately ran into several other authors: Cindy Dees, Jade Lee, Anne Aguirre and others. We talked and solved the world’s problems. (You are welcome!) Then, since we had a car we ran some errands and brought along author Delilah Marvelle.

We had dinner with MORE authors, including Olivia Gates and her beautiful daughter. Olivia gave me a cute clutch purse AND an Egyptian pound. I counted out 55 cents US in change for her because I am awesome that way.

We ran into Deb Werksman of Sourcebooks and author Grace Burrows, too. Now I am back in my room and kind of tired. I have a breakfast date and would like to get some sleep.

The concensus is the hotel Internet is not worth the money they want. I am hugging my iPad close. The staff is really nice and helpful though.
To bed with me

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Cookies, Literacy Signing, RWA 2012

Monday, July 23rd, 2012

I will be at the RWA Literacy signing from 5pm to 8:00pm, Wednesday Jul 25: Anaheim Convention Center, 3rd Floor Ballroom.

Here are the two things you need to know:

  • Table 600
  • Cookies
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RWA Roundup Post

Monday, July 4th, 2011

I’m back from RWA in New York and still a bit jet-lagged. Here are some initial thoughts and observations.

Three stories

I heard a lot of people tell stories about encountering rudeness. If you’re ever at the Times Square Coldstone, for God’s sake DO NOT GO INSIDE. The tale of hostility encountered over the simple act of buying ice cream chilled my blood. Good Lord. Ice Cream should be a happy experience. I guess you walk out of that store happy that you escaped with your life.

I myself was in a cab hurtling toward my destination — this was nothing new, by the way. I have been in cabs in San Francisco and I assure you, San Francisco traffic can make New York traffic look like Sunday morning at 7:00 am. — Anyway, my driver suddenly pulls over to the curb and stops and I’m thinking, hey! there’s no one in front of us, why the heck are you stopping instead of seeing how quick you can punch it to 70? He bought a hot dog. Two of them. On my dime. Which if he’d asked would have been totally cool with me. But he didn’t.

To counterbalance the tales of rudeness, in the Times Square Walgreen’s where I was buying band-aids, the line was long, the store was crowded and there were youngsters in the line. And the clerk charmed those kids to pieces. You could watch them all fall in love with her and her New York accent and every kid in that line couldn’t wait until she talked to them. She was wonderful.

So there. I choose to remember her the best.

Also, the staff in the Starbucks on the first floor (not the one on the 8th floor) were really nice AND they were organized about how to take orders and keep things moving. The staff at the 8th floor Starbucks was the complete opposite.

The Mood

Most people seemed to think the mood was substantially more optimistic than last year. I do think that’s so. My own mood was . . . hard to explain. Ups and downs, but unlike any other time in my writing career, the down bits were accompanied by my conviction that I have real and substantial alternatives. This was bolstered by the fact that the 2nd installment of my ePub direct deposits (representing the first full month of sales) went in while I was at conference and $9,000+ felt damn cheerful and substantial to me.

I have never, ever before had conversations with editors, agents and other publishing professionals where the potential for “No” didn’t also bring with it the specter of an ending career. But that’s the case right now. Not that there was no angst, there always is. But the truth is, the world has changed and savvy writers can now diversify their careers in ways that detach them from traditional publishing. A writer who can do both is in a good place and, for the first time ever, that applies to the mid-list author.

Rumors and Speculation

There were lots of rumors most of which had to do with Harlequin’s recent contract changes. It seems that the rumor about a non-complete in the contracts is false. However, I remain concerned that the math I’ve seen pretends that the overhead is limited. Harlequin, it seems, uses a distributor. See this Dear Author post.

Series: on a $5 book, a series author receiving 6% of cover would earn royalty of 30 cents per copy; at 15% of net receipts, she’ll earn 37.5 cents per copy ($5 x 50% discount to distributor = net receipts of $2.50. 15% of $2.50 is 37.5 cents).

Single Titles: on an $8 book, a single title author receiving 10% of cover would earn royalty of 80 cents per copy; at 25% of net receipts, she’ll earn $1.00 per copy ($8 x 50% discount to distributor = net receipts of $4.00. 25% of $4.00 is $1.00).

The net receipts calculation is transparent and we are comfortable moving to a net receipts model for digital sales.

Emphasis added. The above math assumes the only cost is that 50% to the distributor. But is it? I don’t have any contracts with Harlequin, but one of my contracts has this language regarding things that are deducted before arriving at net:

Taxes, handling or processing fees, customer refunds… commissions or fees payable to third parties (such as web hosters and digital rights management providers). . .

It’s pretty easy to imagine that 7.5 cent (30 cents vs. 37.5 cents) increase for series and the $0.20 increase (80 cents vs. 100 cents) for single title being eroded by things like the above expenses. I remain skeptical and continue to believe that 25% of net is not competitive enough in the current environment. See above in re my self-pub income for the month of June.

Other Stuff

There were representatives there from Amazon and iBooks. Last year, to my knowledge, there weren’t. The guy from Amazon ran out of cards. Think about that.

My News

I don’t have much I can share yet. Sorry. However, you can expect to hear news fairly soon.

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RWA update

Saturday, July 2nd, 2011

As I write this, I’m still at the conference hotel since my flight doesn’t leave until later this afternoon.

I chatted with Grace Burrows, author of the awesome The Heir and The Soldier. She’s a really lovely woman and very, very smart and interesting.

I also met a gentleman from Amazon who gave a workshop about digital publishing. I missed his talk since I had a conflict, but now I have his email. SCORE. I have a feeling his head is spinning. Apple sent a representative from iBooks. She was very nice.

The donut party was a success:

Picture via @LauraCurtis

The RITAs were thrilling. I presented the Golden Heart for Best Paranormal Romance which was won by Trisza Ray. I kid you not, at the beginning of conference, we were in the same elevator and I saw her GH finalist ribbon and told her congratulations and that, hey, I was presenting a GH and maybe I’d present hers! And heck if I didn’t! She’s an ER doctor. Romance writers are smart, amazing, accomplished women.

When I get home, I’ll check my notes for more things I can blog about. There’s lots I can’t mention yet . . .

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The RWA Experience . . .

Thursday, June 30th, 2011

OK, so here I am at RWA in New York. The energy is amazing. I’m seeing more male attendees than ever which is fantastic. The earlier date and the fact that the conference started a day before the usual day of the week keeps confusing me about where I am in the RWA conference timeline.

Rumors are flying, many having to do directly or indirectly with digital publishing. Like the one about two gentlemen panelist being overtly rude to each other. The details about the Penguin digital initiative are interesting – check out Dear Author for that. I talked to my Berkley editor about it today and it sounds very interesting; shorter length, open to new and different and can definitely support existing Berkley authors.

Readers are really excited about getting their hands on some of the old Loveswept backlist that Random House is bringing out with their digital line.

I attended Courtney Milan’s ad hoc workshop on self-publishing. It was really, really interesting and informative. Some people are stressing about the wrong things, though, and aren’t stressing about things I think are important. (Quick to publish vs. Quality to Publish).

Speaking of Courtney Milan, YAY on her novella Unlocked hitting the NYT!!! That’s a result that should resolve the Quick vs. Quality firmly in favor of Quality, which is what self-publishers should be stressing about.

Had very informative and productive meetings with my editors and I am very happy about that!

Now, I’m off to another meeting . . .

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The Week Ahead

Saturday, June 25th, 2011

Tomorrow (Sunday) I leave for the RWA National Conference which is a combination of work, business and fun working at the business.

I will be at the Literacy Signing on Tuesday evening, so if you’re going to be in New York, please drop by, say hi and buy books for charity!

I will do my best to blog and tweet the conference.

In the meantime, I will be doing some extreme packing.

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On Being a Writer

Thursday, February 11th, 2010

What’s it like to be a writer? Well sometimes it’s darned expensive!

This week’s expenses:

425.00 Register for RWA National in Nashville TN
407.00 Buy round trip non-stop plane ticket Oakland to Nashville
188.50 RWA conf hotel hold on credit card
225.00 Enter RomConInc Contest because editor emailed authors about it, 3 books at $75 each.
093.00 Buy and ship books to contest via Amazon (I’m low on copies plus this saves me postage AND a trip to the Post Office, which would happen God knows when.)

Plus, the really evil thing is I had to use the credit card for some of this, so know I have to go to the “Writing Fund” Bank to get the cash to pay the credit card IMMEDIATELY because credit cards are evil.

Right now, I’m freaking out about money. I’ll feel better when the amounts are all paid in cash. But still. That RomConInc contest is freaking expensive. I hope next year they lower the fee. Not that it matters because in 2010, I only have the Regency short story out. So, actually, I hope they lower the fee for the 2011 contest.

Then today, right when I was in the middle of sending an email to my agent about back cover copy for My Immortal Assassin, my website went down — this would include email and I was on the webmail program. Everything just went ::poof::

Did you hear me scream? Prolly. Yeah, that was me.

So then I had to reconstruct everything and send it from my gmail account.

I’m whining, I know. And I apologize, sort of. But I’m in the middle of massive revisions and not only is that depressing on a number of levels, it’s a lot of pressure to get them done both well and quickly.

To top it all off, I made a pound cake and it was a failure. It tastes great, but the texture is all wrong. ::sob::

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RWA 2009 Workshop Review – Carolyn’s recommendations

Saturday, November 7th, 2009

For Reference, here’s the ones I’ve already reviewed, just so you have everything in one handy blog post. But, I’ve added a few, too.

Note: I’m only mentioning the ones I thought were really helpful. For me and what I’m stressing about in my writing. There were a lot of great workshops that aren’t on my list because they’re not relevant to where I am in my writing career. Your Mileage Will Definitely Vary.

And I’m not mentioning ones that Did Not Work for me, so actually, this isn’t a review of all the workshops.

14-001 Opening Keynote Session, Janet Evanovich. Looking for career inspiration? She tells a great rejection letters about-to-give-up story.

14-002 Keynote Luncheon – Linda Howard OMG, her stories are so funny I could hardly breath. The lawn mower story….

14-009 Homeland Security: was actually REALLY interesting. The speaker had some really great stories and she just loves her job so much you can’t help but catch the enthusiasm. Great details to be tucked away in the brain vault.

14-011 Google Book Settlement
– informative. Probably worth a listen if the settlement is still alive or not substantially changed by the current negotiations.

14-012 Pro Session
: Make sure you listen to Madelaine Hunter. She gave a GREAT talk. The rest is pretty good, too, but for me she was a standout. The agent panel was good, too.

14-015 Writing Dark Love Stories, Anne Stuart. Entertaining. Ways to think about the hero, heroine relationship and risk taking.

14-034 Writing the Hot Historical – everything Pam Rosenthal said was fascinating and thought provoking, whether you write historicals or not.

14-035 Secrets of the Best Selling Sisterhood
- SEP and Jayne Ann Krentz. Worth a listen.

14-039 – Joan Johnston – Writing the Breakout Nove
l. Lots of interesting tips and things to think about.

14-042 Buy this Book – Gardiner, Poelle – Give this a listen. Top agents.

14-047 Under Their Skin and Straight To The Heart: Creating Emotion With Significant Detail, Robin Wells- Very good. Give a listen.

14-054 Intellectual Property – Moderated by Nora Roberts. Make sure you listen to Nora’s story about how she was plagiarized. Riveting. You’ll get angry and want to cry on her behalf. The speakers were good, but hard to understand at times (heavy accents, unclear diction).

14-056 Eloisa James Awards luncheon. Her speech will make you cry.

14-062: The Fire in Fiction. Donald Maass
. Will def make you think. Some is kind of obvious but he tells a story (toward the end I think) and the room was COMPLETELY silent while he told it. A masterful example of show not tell. Have a listen. I have already listened to this one a second time.

14-071 Why we Love Mr. Darcy. Brenda Chin, Julia Quinn, L. Ghurk
e: Recommended. This quickly veers off into career decisions and discussions. Worth a listen for everything Quinn says about her career.

14-072 One, Two or Three. Kristin Nelson, Natasha Kern. This one is a MUST listen. Chilling bad-agent story. Great discussion of the thinking behind agenting a book deal. FYI, Kristin Nelson is my agent.

14-076 Setting as Character. Jade Lee
. Worth a listen. She says some very interesting things. Plus she’s funny and a great speaker.

14-082 Mauled Men etc
. This one is about what happens after someone dies mostly in re funeral homes. I recommend listening because the speaker is good and there’s all kinds of unexpected interesting facts and information in this that will probably come in handy one day.

14-084 Spotlight on St. Martin’s
. I consider this a MUST listen. Jennifer Enderlin in particular has some GREAT tips and insights. You probably won’t have to listen to all of it, but don’t miss the first half.

14-088 The good the bad the ugly in New media
. Depressing, but do listen. It’s about marketing and having a publicist. The min. budget of $7500 for EFFECTIVE marketing is just freaking depressing and out of reach for must authors. There are some good ideas and tips.

14-092 Make it Happen. 10 Tips to Breaking in
. Christie Craig’s story was inspirational. I heard about this one at the conference — she made quite an impact and I can see why.

14-094 Legal Flavored Research
. Some interesting stuff here.

14-101 How to Sell to Harlequin’s London Office
. Despite the title, there was some truly awesome story advice in this one. I gave this one 5 stars.

14-102 Anatomy of a Best Seller
. This was good. Chris Keeslar of Dorchester is a great editor and I think writers need to sit up and pay attention when editors are speaking.

14-106 Turning Points, Jennifer Crusie
. I’m looking for new ways to think about story, and this gave me some.

14-108 – Spotlight on Sourcebooks
. Listen to this one.

14-112 – Evil 101 – Where True Crime Meets Terrific Fiction, Sherri Lewis Wohl. This is one of the ones shortened by the Fire Alarm (RATS!!) but there are some great stories if you’re interested in the criminal mind.

14-117 – Chemistry: How to Create The Sizzle That will Keep your Readers Glued to the Page – Sherry Thomas This one is also Fire Alarm shortened, but she was able to come back and go through more material. Give a listen.

14-125 A&B No Holds Barred, JR Ward, Jessica Anderson Both authors have interesting and insightful things to say about writing and the writing process. Plus it’s funny to hear Ward say she’s a plotter and then describe a process that sounds to me like it’s seat of the pants.

14-130 The Scoop! Using Television’s Secrets and Techniques For A Top Notch Novel, Hank Phillippi Ryan I’ve listened to this one a couple of times. Good stuff about deadlines.

14-133 A Look Inside the Editor’s Mind, Leslie Wainger
. She’s an editor. Of course you should listen to this one.

14-136 A&B More How to Make a Living Writing Romance Novels, Stephanie Bond. As you might expect, there is some great stuff here. I do feel, however, this is not really one-size fits all.

14-145 Digital Initiatives With Your Publisher, Various Presenters. Keep yourself informed. Listen.

14-146 Spotlight On Kensington
This might be one of the best spotlights I heard. There’s some great information about how to think about and manage a career.

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RWA 2009 Workshop Review part 1

Sunday, October 11th, 2009

I consider the $100 cost of the RWA Conference workshops money well spent. Worth every penny. I have now listened to all the workshops, other than 2-3 that I knew I had no interest in.

I am NOT going to comment on all the workshops since some, for whatever reason, I did not care for or the subject matter wasn’t one I’m interested in at this point in my career. YMMV.

Workshops I end up not mentioning you may love. Ones I loved you might hate. Also, this is only part 1 because I already had most of this noted so it’s a quick post for me. There are more workshops to talk about. (For what it’s worth, right now I’m most concerned with story and character — making them bigger and better.)

One surprise was how much GREAT information was in the publisher spotlights. Not so much about what they’re buying but about story-telling — amazing stuff in each and every one. (NB, I did not listen to the Avalon or Steeple Hill spotlights since I don’t think I’ll ever write inspirational. Given that all the other spotlights were fantastic, this may be a mistake.) The Harlequin workshops were also really good. I did skip the one about moving from category to single title, as those issues don’t apply to me.

14-009 Homeland Security: was actually REALLY interesting. The speaker had some really great stories and she just loves her job so much you can’t help but catch the enthusiasm. Great details to be tucked away in the brain vault.

14-011 Google Book Settlement
– informative. Probably worth a listen if the settlement is still alive or not substantially changed by the current negotiations.

14-012 Pro Session
: Make sure you listen to Madelaine Hunter. She gave a GREAT talk. The rest is pretty good, too, but for me she was a standout. The agent panel was good, too.

14-034 Writing the Hot Historical – everything Pam Rosenthal said was fascinating and thought provoking, whether you write historicals or not.

14-035 Secrets of the Best Selling Sisterhood
- SEP and Jayne Ann Krentz. Worth a listen.

14-039 – Joan Johnston – Writing the Breakout Nove
l. Lots of interesting tips and things to think about.

14-042 Buy this Book – Gardiner, Poelle – Give this a listen. Top agents.

14-047 Under the Skin – Very good. Give a listen.

14-054 Intellectual Property – Moderated by Nora Roberts. Make sure you listen to Nora’s story about how she was plagiarized. Riveting. You’ll get angry and want to cry on her behalf. The speakers were good, but hard to understand at times (heavy accents, unclear diction).
14-056 Eloisa James Awards luncheon. Her speech will make you cry.

14-062: The Fire in Fiction. Donald Maass
. Will def make you think. Some is kind of obvious but he tells a story (toward the end I think) and the room was COMPLETELY silent while he told it. A masterful example of show not tell. Have a listen. I have already listened to this one a second time.

14-071 Why we Love Mr. Darcy. Brenda Chin, Julia Quinn, L. Ghurk
e: Recommended. This quickly veers off into career decisions and discussions. Worth a listen for everything Quinn says about her career.

14-072 One, Two or Three. Kristin Nelson, Natasha Kern. This one is a MUST listen. Chilling bad-agent story. Great discussion of the thinking behind agenting a book deal. FYI, Kristin Nelson is my agent.

14-076 Setting as Character. Jade Lee
. Worth a listen. She says some very interesting things. Plus she’s funny and a great speaker.

14-082 Mauled Men etc
. This one is about what happens after someone dies mostly in re funeral homes. I recommend listening because the speaker is good and there’s all kinds of unexpected interesting facts and information in this that will probably come in handy one day.

14-084 Spotlight on St. Martin’s
. I consider this a MUST listen. Jennifer Enderlin in particular has some GREAT tips and insights. You probably won’t have to listen to all of it, but don’t miss the first half.

14-088 The good the bad the ugly in New media
. Depressing, but do listen. It’s about marketing and having a publicist. The min. budget of $7500 for EFFECTIVE marketing is just freaking depressing and out of reach for must authors. There are some good ideas and tips.

14-092 Make it Happen. 10 Tips to Breaking in
. Christie Craig’s story was inspirational. I heard about this one at the conference — she made quite an impact and I can see why.

14-094 Legal Flavored Research
. Some interesting stuff here.

14-101 How to Sell to Harlequin’s London Office
. Despite the title, there was some truly awesome story advice in this one. I gave this one 5 stars.

14-102 Anatomy of a Best Seller
. This was good. Chris Keeslar of Dorchester is a great editor and I think writers need to sit up and pay attention when editors are speaking.

14-106 Turning Points, Jennifer Crusie
. I’m looking for new ways to think about story, and this gave me some.

14-108 – Spotlight on Sourcebooks
. Listen to this one.

That’s it for now. This is roughly 3/4′s of the workshops with some great ones yet to come. But I think I missed a few.

FTC Disclosure: I don’t have to disclose a damn thing. I paid for these workshop recordings. Plus there’s no advertising here.

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